![]() I guarantee mixing on one of those 'feels like a real console' controllers + PT HD will give you better mixes than dumping stems into this puppy and tweaking those tiny EQ knobs with a mouse. Not to mention there's no stunning controller to mix in mixbus with like you get with Pro Tools (Icon D-Command/Control or S6). Just stick HEAT on if you're in ProTools (which works at the mix engine level similar to this and S1's console shaper) and some good modern plugs like BX_Console and IK Tape and stay in your preferred DAW for the whole thing. I did try it out once and was shocked by how awful the ergonomics/GUI and workflow was. I'm guessing thousands of other pros and semi pros will do the same. I'll stick with Pro Tools thanks which is already the single best audio editor and mixer on Earth when it comes to actual mixing and (audio) production. Nice concept but it's chasing rainbows to think going from your main DAW just to mix in this is somehow going to make your mixes easier/better. But some people ascribe a huge difference to dither so yes, the sound of the mixers will be fundamentally different to a discriminating user.It would also have to actually be a *good* DAW to work in, which it isn't. In practice, if the EQs are both set flat or bypassed, the difference should be vanishingly small: similar to the magnitude of dither. ![]() meaning the signal is always passing through the math, ( bypass simply means that the gain for the EQs is set to "0" ). In both products, the channelstrip EQ is "always in circuit". The sound of Mixbus and Mixbus32C are largely identical. This provides more grouping and effects buses, and allows you to manage a larger mix than the regular Mixbus. Mixbus32C provides 12 stereo mix-buses, with send-level knobs on every channel strip. In addition, each bus send can be "panned" separately from the master bus pan location.We expect this to meet the needs of users who are mixing 8-24 channels. ![]() For this test, we made a simplified mix using as little external plugins as possible. In this video, we compare the sound of the plugin to that of the Mixbus 32C DAW, which emulates the character and reproduces the signal flow of the original 1975 console. Mixbus provides 8 stereo mix-buses, with send-levels on every channel strip. The launch of the new Harrison 32C Channel plugin has caused quite a stir in recent days.But feature-wise and sound-wise, it meets nearly any need for equalization you would rarely if ever need to add an additional EQ. The 32C EQ requires a larger monitor, to fit all the controls on-screen. The Mixbus32C EQ is a recreation of our analog 32-Series EQ, which has 4 bands ( the top bands can be switched from shelving to peaking ), and both high- and low- pass filters.There are a few cases where you might need to add a plugin EQ, to solve a specific need. 90% of EQ jobs can be handled with a 3band sweepable eq, and a high-pass filter. The Mixbus EQ was specifically designed by Harrison to match our historical records of user's settings.32C is the more expensive program, and it provides a bigger, more feature-ful mixer. ![]() Rather than charge less for "limited" versions of Mixbus, we differentiate the price by the "mixer" features, which is what Harrison is known for. In both Mixbus and Mixbus32C, you receive a full-featured DAW with unlimited audio tracks, unlimited MIDI tracks, and unlimited plugins.īoth Mixbus and Mixbus32C provide professional features such as VCA's, video playback, "ripple" editing, timecode display, LTC/SMPTE sync, and other features that are rarely included in an entry-level program.
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